آفاق سينمائية
Volume 5, Numéro 1, Pages 98-108
2018-06-25
فلسفة الآداء و اختيار الممثل و تأثيرها على عملية التلقي
الكاتب : بقلول محمد الأمين .
الملخص
The interaction of the viewer is generally harmonious with several units of the sensory and psychological structure, who controls communication with the filmic discourse as a complete and intensive composition, le récepteur est face a un pont de mystère mais comprend la feinte qu’après la découvert que le principe du filme n’est pas le file conducteur but the choice of actor who takes him out of the film to the memory and the reality and experiences of previously lived either in the movies or in his own life, in a direct or indirect way. . All this happens voluntarily or in the subconscious. Psychoanalysis confirms that the usual things become mechanical with the repetition whose cognition depends on the people and their levels. the actor in this case is one of the main axes to build the equation, and its performance is accurate to ensure the quality of communication and reception. - the viewer, several units, controls communication, psychological structure, Psychoanalysis confirms, the actor, reception.
الكلمات المفتاحية
المونتاج، الأداء، الممثل، التلقي، الطاقة الجمالية، الرسائل المموهة
مقالات مماثلة
بكيري محمد أمين
.
ص 227-257.
خشعي عبد النور
.
ص 458-483.
