Revue LAROS
Volume 10, Numéro 1, Pages 101-108
2018-01-01
Auteurs : Beghdadi Fatima Zohra .
In the brevity of this article, it is a question of emphasizing the obsessive nature of Boudjedra's writing and the theme of his novel work, which goes hand in hand with the psychoanalytic technique which introduces the narrative and seems obvious in the memory process. A writing that turns out to be a catharsis and the outlet of the writer, through the expression of phantasmagorical delusions and colonial trauma. A writing that gives itself to subversion and which is devoted to taboo. A writing that is elaborated in the complexity of the style, in the scriptural and the pictorial structured through the narrative which alternates dialogue and monologue, to be in the image of the psychoanalytic process that propels the autofiction into the historicity. Boudjedra's novel dedicates psychoanalysis as the ultimate technique of establishing dialogue, allowing confrontation, emancipation from silence and confusion to tolerate reality, accept the present, demystify the past and access truths.
psychoanalysis, narration, fantasy, obsession, introspection.
Benhamamouche Fatma
.
pages 81-87.
Adda Chahnez
.
pages 591-611.
Sari Ali Hikmet
.
pages 68-79.
Bendahmane Yasmine
.
Benslim Abdelkrim
.
pages 485-502.