الخطاب
Volume 12, Numéro 25, Pages 101-118
2017-05-01
الهيمنة الثقافية وسطوة الإمتاع قراءة مخالفة لديوان (تاريخ يتمزق في جسد امرأة) لأدونيس
الكاتب : يونس الحمداني نوافل .
الملخص
Cultural criticism is monitored by texts with their rhetorical and aesthetic tricks through the modelling of deception by using what is rhetorical, beauty or metaphorical, which requires a revealing reading of the concepts beneath the cloak of the texts, and what cultural practices related to certain perceptions of certain attitudes, especially as societies now can undergo shifts caused by the movement of modernity to societal changes in which there can be a clash or divergence of perspectives. Adonis espouses a thinker and theoretician with visions and conceptual insights that he embodies in his poetic speech, once and for all. Other, his speech in the Diwan (a date torn in the body of a woman) is like a counter-writing, which is stripped or reveals some of the modesty of the a community culture of systems or patterns specific to certain themes such as religion, women, race and history, so the richness of the literary text with racial or ethnic cultural formations, which are overshadowed by the shocking irony of their presence in response and denunciation, even if An individualized character, but if combined with other visions that have shaped a general pattern--which captures inherited problems but which are far from being developed--that requires the cultural monitoring of cash to detect and declare the hacker and infiltrator within the text.
الكلمات المفتاحية
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مقالات مماثلة
زهية عيوني
.
ص 94-113.
بوديسة فاطمة الزهراء
.
ص 31-50.
داودي بن حسين
.
بن سايح لخضر
.
ص 168-176.
بوذن محمد لمين
.
ص 800-816.
