أبعــاد
Volume 4, Numéro 5, Pages 167-183

علاقة السينما بالفلسفة في فكر جيل دولوز

الكاتب : عثمان أحلام .

الملخص

Abstract : Philosophy in the view of Delouz’ generation is the art of innovative concepts. Aphilosopher needs non-philosopher who understands him and expresses his concepts .From that point, Delouz has persued a new schema to think philosophically, it is to replace the classical criteria of thinking which increasingly comes back to itself that is philosopher’s thinking become taut to a scene more than anything alse, from here Delouz is intent his thinking on the Cinema which the appropriate for the role ,and the nearest to transmit philosophical concepts instead of philosophy itself. So it has the capacity that hold men to think and to flabbergast, it gives him because of its creation and invention new image of life, new occasion to renovate his understanding of himself ,then the world surrounding him since it is characterized by the automatic movement which raises to us the self-motional mental machinery that has an impact on it, and that pushes to the thinking and to what is to be thought under the chock or the mental chock Delouz’ generation suggest a definition to Cinema from a side that it is a harmony which produces movement that is related to a typical moment At the end, to restrict what is meant by philosophical cinema or philosophization within cinema that is done by two distinctive features, but they are interrelated: the movement of image in (cinema), and the movement of concept in (philosophy).

الكلمات المفتاحية

Philosophy- Cinema- movement- image- Tempt.