Volume 4, Numéro 2, Pages 143-154
الكاتب : أمين أحمد .
The relationship between beauty and art was the subject of many differences between doctrines in general and philosophers, in particular, and the influence of the circumstances and the advantage of thinking that characterizes each era where Greece has not emerged from bilateral matter and image, and consider beauty as transcendent value can be realized artistically, a Renaissance art took on a human nature, and the difference between aesthetics and art has become minimal, given the function of the artist entrusted to him is the pursuit of perfection and harmony with the beauty in nature. But in modern times, with the emergence of experimental science and independence of philosophy, the relationship has been marked by the declaration of independence of the "aesthetic" with its first founder, Baumgarten. Heidegger tried to recover the value of the lost art, influenced by romanticism and its accession to the phenomenological approach he had acquired from his teacher Edmund Husserl, with a harmonica key. His objective was to move the systems of metaphysics Western thought, and change the style of rational thought and replace it with a poetic intellectual thought capable of revealing the concealment of the truth, and the awakening of the human being lost.
Art; meaning; phenomenology; metaphysics; truth; Unraveling; lighting; earth.
مجاهد جمال الدين