آفاق سينمائية
Volume 4, Numéro 1, Pages 113-122
2017-05-04
فكرة الخيال في السينما الثورية الجزائرية المعاصرة
الكاتب : سيد أحمد سماش .
الملخص
Algerian cinema dates back to the early beginnings of international cinema. Algeria has been the scene of cinema since its inception in the late 19th century. The Lumière was commissioned to photograph scenes from Algeria. Before the war of liberation until 1946, Algeria had only a photographic interest In 1947, the French created a cinematic interest that produced a number of short films that were presented and translated mostly into the colonizer's language. Two generations of directors in Algerian cinema experienced the first generation of Algerian cinema and the comprehensive popular revolution, Hamad al-Akhdar, Hama El-Auras wind, the years of the embers), Ahmed Rashdi (dawn of tormentors, opium and sticks, Long live Algeria) and Mohamed Salim Riad (road-Sanoud). The course of Algerian cinema has been a long and difficult process in order to prove to the world its position as the champion of the idea and cause of cultural, political and social life through important stages in the history of Algeria and society in all its various spheres
الكلمات المفتاحية
الخيال السينمائي، الثورة الجزائرية، السينما المعاصرة
مقالات مماثلة
قواسمي سهام
.
ايت عيسى فريدة
.
ص 144-164.
زاوي نبيل
.
ص 132-145.
بوغواص زبيدة
.
ص 276-296.
