لغة كلام
Volume 3, Numéro 2, Pages 115-128

جمالية الصورة في شعر المقاومة الوطنية الجزائرية

الكاتب : بوسف بكوش .

الملخص

The Algerian nation, like other nations of the world is known throughout its history both men could perpetuate themselves in their work venerable great and attitudes that have graced the nation and the honor it. Algerian resistance shown by the revolution; and in particular felt the national resistance and appeared to shed light on the realities of things, and thoughtfulness people how venerable contributions and sacrifices of intellectuals Algerians and intellectuals for the sake of their nation, Vhafzawa on Arabism and converted to Islam, and Junboha blend into the other character, Obaduha for vanishing, it has been writers and intellectuals and poets at the forefront of the resistance to the occupation and repressive policy, and plans hellish. Anyone who has followed the production of poetic Algerian since solidified gave the French colonial Algeria land, find literature heroic resister for this intruder, starting poems Emir Abdelkader passing notifies Mohammed Eid, the end of the hair Moufdi Zakaria. who has proved to be an artist tormented by himself and others, and he was facing himself and his community conscience and one that is always with his nation, and even though he put it seems in some cases, emotional, and contributed to its efficiency in the realization of historical awareness and laid the political vigilance rules for the masses on various brands and condition, by turning the hair religious and self to the hair reflects the society and the nation's issues, became his guiding reform and awareness, and through the aesthetics can be discerned from the language of poetic discourse and weaving and the rhythm of music and the image is the subject of our research.

الكلمات المفتاحية

Picture - the imaginary activity - characteristics - in direct subtraction - physical