المجلة الجزائرية للمخطوطات
Volume 17, Numéro 3, Pages 224-243
2021-12-31
Authors : Amari Ourida . Maoui Hocine .
The present paper attempts to investigate the ‘degree’ of feminism in the works of the prolific Nigerian female novelist, Buchi Emecheta. She, who defines herself as a feminist with a small ‘f’, scrutinises the evolution of the African woman, struggling to break free from the bounds of traditions and to enter modernity. In In the Ditch, Second Class Citizen, and The Joys of Motherhood, that are dealt with in this article, the writer depicts the sufferance of women in traditional patriarchal societies and their battles to get out to modernity, where, unfortunately they face other difficulties. Emecheta defends women, but does not reject men – the father, the brother, the husband; she calls for women’s freedom, but not without their children. She spans the experiences from traditional Ibo life in Nigeria to modern Western milieu in England, stressing more on the status of the mother than on the condition of the woman. So, a feminist or a motherist? Emecheta has rejected the former concept; would she accept the latter?
Emecheta; feminism; womanism; Motherism; African literature; female writers.
Azzoug Fatima
.
pages 42-54.
Hidouci Sarah
.
Kheladi Mohammed
.
pages 21-35.
Diffalah Khaouni
.
Mahmoudi Seyf-eddin
.
pages 1014-1023.
Benamer Hamza
.
pages 1316-1331.