المعيار
Volume 24, Numéro 4, Pages 324-351

تصميم الصوت في أفلام الخيال العلمي دراسة سيميولوجية لفيلم "الوافد"

الكاتب : بن عمارة سمية . بوزيان نصر الدّين .

الملخص

This paper comes to discuss, the Designed Sound`s levels, in terms of achieving the film meaning. Thus, we attempt to reveal the creative process embodied, especially in science fiction films. Furthermore, based on this creative dimension, we suppose that provides a methodological tool to approach Designed Sound's ability to realize a semiosis process as a sign. The study concluded that Designed Sound in cinema production has creative dimensions that exceed the technical part, to be considered as a semiotic Mode / Modality, which supports a (Sound Semiotics) theory for both Filmmakers and researchers.

الكلمات المفتاحية

نظرية الصوت، سيميولوجيا الصوت، تصميم الصوت، مونتاج الصوت،الإبداع، أفلام الخيال العلمي Sound theory, Sound Semiotics, Sound design, Sound montage, Creativity, Science Fiction movies.