أبعــاد
Volume 7, Numéro 1, Pages 87-104
2020-06-30
اللغة وحدود الإبداع الفني في الفلسفة الجمالية
الكاتب : بن طرات جلول .
الملخص
Contemporary philosophical studies have devoted themselves to linking language to art through the nature of aesthetic taste that accompanies the expression system. Many aesthetic images reduce the experience of artistic creativity in the field of language to the writer Azo the poet, painter or theatrical, and then the semiotics of the image that are technically crossed carry a sign of communication between the signifier Its significance is on the level of the dual beauty and artistic taste that we enjoy within this artistically shaped medium, and thus the language expresses a message, or an aesthetic artistic vision, especially the body language that carries to the recipient all the meanings of artistic creativity that combines taste and enjoyment as an aesthetic value for this as all practice Artistic satellites carry those aesthetic representations that the language absorbs in its communicative and communicative function, especially what we perceive in reality through the language of aesthetic expression by caricatures and the political, cultural, social, economic, educational, and other connotations it imposes, so the artistic nature of this language may be unique to the creativity of expressions that attend The manifestations of beauty in its sensual, gustatory dimension, on the other hand, the relationship of language to art may appear within the self-indulgence that expresses its aesthetic image
الكلمات المفتاحية
Language ; artistic creativity ; philosophy of beauty ; taste ; body language
مقالات مماثلة
علي مداني
.
ص 203-214.
بوشتة ربيحة
.
ص 239-256.
محمودي سليم
.
وارم العيد
.
ص 104-127.
محمد يونس
.
ص 40-51.
لطرش صليحة
.
بودية أمحمد
.
ص 531-541.
